Migu Mianizt Leung · Technical Director · Experience Architect
Technology means nothing until it holds a moment. The moment means nothing until someone feels it. And whatever carried it doesn’t get to keep it.
- Show Control
- AV Systems Design
- Audio Tuning & Sound Design
- Projection Mapping
- Automation & Effects
- Entertainment Networking
- Risk & Safety Protocols
- Tender & Vendor Management
- Cross-Disciplinary Team Leadership
- Systems Integration
What I Build — Selected work
Graphicker INT — an immersive concert for deaf and hearing audiences in the same room.
Making music something you feel in the body, so no one in the room is left outside it.
Led the overall design and a 70-person team. Technology and spatial design turned sound into something a deaf guest could feel alongside a hearing one — one room, one shared feeling.
Technology is Nothing — an exhibition where a guest’s brainwaves became live visuals.
Making an invisible inner state into something others can see and share — one-to-one, live.
Two parts: a guided journey of pandemic-era digital drawings, and an EEG piece that read a guest’s emotional state and rendered it as generative visuals in real time. The machine disappears so the human can appear.
Will You Stay More Than One Minute — a virtual exhibition built during the pandemic.
About the cost of distance and the worth of presence — a study in staying, when staying is hard.
Pandemic-era digital drawing shown in a virtual space; the title itself is the piece’s quiet plea.
Technical direction for the resort’s flagship live events — the 20th Anniversary celebration, seasonal spectaculars, buyout events.
Audio, lighting, video, show control, automation and effects delivered as one system — with the safety and risk protocols for high-risk effects written alongside.
Owns the full path from creative idea to opening night, directing multidisciplinary teams as one integrated delivery.
AV and show systems for new attractions across the Hong Kong and Shanghai resorts.
Holding the technical and creative sides together, from feasibility through post-turnover support.
Wrote and managed tender packages; audio tuning and AV subsystem programming through integration; initiated rehab projects for ageing AV and effects; taught the classes that kept the team’s training current.
Festivals, stadium concerts, and 40+ theatre productions.
Projection mapping and show control where there is exactly one take, in front of a full house.
Video for the Sónar Club and FWD stages; projection mapping for HOCC and stadium shows; sound design for a 659-seat theatre; on-site commissioning for international audio clients across Asia; Singin’ in the Rain, Wicked, and more.
Experience — Built inside live entertainment
Technical Director, Event & Entertainment
End-to-end technical direction for the resort’s large-scale shows — the 20th Anniversary celebration, seasonal spectaculars and buyout events — directing teams across audio, lighting, video, show control, automation and effects as one integrated delivery. Writes the safety and risk protocols for high-risk effects.
Show Electronic Designer
Designed AV and show systems for new attractions across the Hong Kong and Shanghai resorts, from feasibility through post-turnover support — writing and managing tender packages, audio tuning, and AV subsystem programming through integration.
Show Audio & Video Designer
Led medium-complexity show design end to end, keeping AV and effects true to the overall story, as primary interface to electrical engineering. Initiated rehab projects for ageing AV and effects; taught the team’s internal training classes.
Festivals, concerts & commissioning
Technical and video for the Sónar Club and FWD stages; projection mapping and show control for HOCC and stadium concerts; sound design for a 659-seat theatre; product management, commissioning and after-sales across Asia; theatre tech on 40+ productions including Singin’ in the Rain and Wicked.
How I Think — Emotional Reliability Engineering
The design test — if an ordinary person can’t feel it, it failed.
- A cue is only art if it fires the same way every night.
- Reliability is not the opposite of emotion — it is what lets emotion repeat.
- 水 — water finds the way through any terrain; a system should too.
- Design the key, not the cage — the audience should feel free inside a structure they never see.
Craft, systems, and philosophy meet at the same point: whether the audience feels what was designed for them to feel, reliably, every performance. Eastern and Western frameworks are two vocabularies for the same discipline — 水 finds the way through any terrain; a well-built system does too.
Writing — The Neural Stage
A working thesis, in progress: why a feeling lands, and how to build it so it lands the same way every night, for everyone in the room.
Teaching — Hong Kong Academy for Performing Arts
Teaching at HKAPA since 2020 — lecturer in show control, entertainment networking and AV systems; artist-in-residence R&D on pre-visualisation in game engines.
- Show Control
- Entertainment Networking
- Computer Systems for AV
Education
- MFA, Arts & Event Management — HKAPA, 2019—23
- BFA (Hons), Sound System Design — HKAPA, 2012—15
- AA, Journalism — Hong Kong Baptist University, 2008—10
Connect — Get in touch
Under every title there is only one real job: to make a moment where strangers feel, for a minute, that they belong together.
- Email: mm@mi2.dev
- Phone: +852 6086 7111
- Based in: Hong Kong S.A.R.